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Sofincoma Poster

TRICKING THE AUDIENCE INTO APPLAUSE

A Social Experiment

For this scene, I set up the audience to clap on command. First for a child seeking attention, performing for approval. They played along, laughing, indulging the game. But when the lights shifted, Sofia was still on all fours, but she wasn’t a child anymore. 

This was the shift I wanted to capture. That unsettling transition from childhood to adulthood, where the need for validation doesn’t disappear, it just takes on new forms. The audience, without realizing it, became part of that transformation, standing, clapping, until they suddenly questioned why.

The social response?

Some laughed uncomfortably, others hesitated, and then there were the grannies in the front row, standing in the middle of a sex scene before realizing what had just happened. 

Here it is: Sofia, flat on her back, pacifier in her mouth.

A body stuck in time, waiting. 

Two Sofias
My father isn’t coming to my show. Will you?

My father isn’t coming to my show.
Will you?

These flyers have been desperately distributed around Turin. Just like Sofia, the protagonist of the show, trapped in a coma, drifting between memories and dreams, hoping - this time - her father will show up. Sofincoma is the story I wrote and brought to the stage at Teatro Murialdo, a journey through the spaces between consciousness and longing, where the past lingers, and the future waits on the other side of waking.

Where do you think you're going?
Go back.

Yes Please

Where do you think you're going?
Go back.

Yes Please
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