The Story
Patricia, an American self-anointed revolutionary and theater director sets out to dismantle patriarchal storytelling. With her long-suffering pugliese collaborator Bapovero in tow, she deconstructs The Sound of Music to make it pass the Bechdel Test. But when their waitress presents two meticulously described entrées - a cow named Carolina and a sheep named Peggy, both female, both eulogized like fallen heroines - Patricia balks: “I don't eat women”. She demands to eat a male instead: a piccione (pigeon) unaware that, in Pugliese dialect, the word comes loaded with unintended anatomical meaning, not precisely male.





I was responsible for crafting the narrative, dialogue, and thematic structure of Cattivo Gusto, a satyrical theatrical piece performed at OGR Torino. From concept to execution, I shaped a story that plays with language, miscommunication, and the intersection of power and consumption.
Questo manzo si chiamava Carolina.
Ha prodotto litri e litri di latte e poi è morta. È stata iugulata, depilata, scuioata, viscerata, toelettata ed ora è proprio qui, su questo piatto.


About OGR Torino
Officine Grandi Riparazioni (OGR) is one of Turin’s most iconic cultural venues. Originally a railway repair facility from the late 19th century, it has been transformed into a multidisciplinary space for contemporary art, music, theater, and innovation. Hosting avant-garde performances and artistic collaborations, OGR provided the perfect setting for Cattivo Gusto, which thrives on subversion and critical engagement.